Other Works Giclee, Watercolor

Evergreen
Evergreen

Poster, framed, 20x13.5, $200. SALE PRICE $25

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Ray Knaub
Ray Knaub

Eagle, Rabbit and Windgrass, watercolor, framed, 18x27, $1200. SALE PRICE $500

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L' Age D' Aimer
L' Age D' Aimer

French Poster, framed, 13.5x10.5 $270. SALE PRICE $50

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Les Transatlantiques
Les Transatlantiques

Antique poster w/sheet music, framed,14x10.5, $175. SALE PRICE $50

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John Runne
John Runne

Foursome, signed lithograph 91/500, framed, 18x24, $200. SALE PRICE $50

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Si J' Etais Papillon
Si J' Etais Papillon

Poster, framed, 13.5x10.5, $200. SALE PRICE $50

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Stuart Yankell was trained in Philadelphia at the Pennsylvania Academy of Fine Arts, the University of Pennsylvania and the Frudakis Sculpture Academy.  He also studied in Italy at Temple University, and has taught painting and art history at the university level over the course of his career.  Yankell's work has earned place in the vanguard of contemporary figurative painting and has been displayed in museums and galleries throughout the world.

 

 

Stuart Yankell's work celebrates life and the common fabric of humanity.  Combining abstraction with a kinetic approach rooted in classical lighting and form he embraces historical convention while seeking to expand the language of art.  For nearly four decades, Yankell has painted a multitude of musical and dance forms, as well as figurative themes based on a broad range of universal settings.  He has traveled to nearly twenty countries, and his works are developed through a combination of on-site painting, studio work with live models, and the forces of instinct and imagination.  "The goal of Stuart Yankell's work," author William Abrams writes, "is to convey something essential about our existence that is at once both trustful and affirming."  Using large brushes attached to bamboo poles, his strokes are broad and visceral, yet at the same time precise.  He has long been a student of Asian culture and the Martial and Healing Arts, and has sought to bring something ceremonial to his artistic process, analogous to a dance or fencing ritual.  Moving between realism and abstraction, Yankell's panting is about seeing, depicting both the focus and periphery of natural vision.  Seen up close, the works are entirely abstract, undulating with textural variations.  At a distance, however, the images crystallize and come to life in mind of the viewer.